A droll commentary — from a director whose Jacques Tati-like screen persona hardly ever speaks — on his country’s troubles, as reflected through his travels to Paris and New York, Suleiman’s film was the rare comedy in this year’s competition. That’s exactly what Alice is going through, and also what the audience is going through. Cannes Film Festival 2019: The best celebrity red carpet fashion . About a young Cruella de Vil, the ‘baddie’ from Disney class… The Camera d’Or, awarded by a special jury headed by Cambodian docmaker Rithy Panh to the best first film from among 26 debut features across all section of the festival, went to Guatemalan director Cesar Diaz. 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Her style is very controlled. I’d actually come back [to the U.K.] and then I was told to get to the airport as soon as I could and I was motorbiked from Nice to Cannes, which was an experience in itself. I enjoyed it, but it was challenging, especially to try and keep the spontaneity and also remember every single note. I thought that was a fun thing to explore as an actress. Cannes Film Festival 2019: The best celebrity red carpet fashion. I saw “Lourdes” and thought it was wonderful, so beautifully shot and well-acted, and subtle with a little bit of a sick, dark humor. Variety hailed the film as an “artfully unnerving horror movie” and an “‘Invasion of the Body Snatchers’ for the age of antidepressants,” but it divided critics at the festival. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. French-Senegalese filmmaker Mati Diop earned the Grand Prix for her debut feature, “Atlantics.” Diop, who made history as the first black female filmmaker in competition, dramatizes a seldom-seen side of Europe’s refugee crisis through the eyes of a woman abandoned by the man she loves, when he decides to attempt an illegal crossing. CANNES — The 72nd edition of the Cannes Film Festival wrapped with jury president Alejandro González Iñárritu announcing the group’s unanimous decision to award the Palme d’Or to South Korean director Bong Joon-ho for his sly, politically charged “Parasite.” Following last year’s win for humanistic Japanese drama “Shoplifters,” the well-reviewed Asian thriller represents the yin to that film’s yang: the story of a lower-class family who try to improve their social situation by infiltrating a rich household. Jessica is so skilled and all of her films are well-acted so I thought: Trust that. I can’t personally put a finger on it. You know it’s a massive risk you might come across as completely unbelievable, and that is the opposite of how you are guided usually when making a film. The critical reaction ran the gamut. It was different to how I have been used to working. I met her, and she showed me the flower and ideas of her design to try and help me get into her mind so I could see what she was envisaging. Everything about this project sounded really interesting – the whole subject of genetic engineering and the aesthetic of it. Why was that? I was woken up that morning and told to get back on a plane and back to Cannes. It’s fun and accessible. Some people are really strongly seeing one message and others something else. It’s very different. These were cinematic decisions, not political agendas.”. Variety and the Flying V logos are trademarks of Variety Media, LLC. Congratulations on the best actress award. She likes pulling people out of believing in it and into being aware they are watching something and questioning it. I think you finish watching it and you are not quite sure of what you have seen. Ben [Whishaw] was attached by then, and I’d also worked with [producers] The Bureau before, who I think have really good instincts and have so much respect for filmmakers and actors. Calling Diop’s film “a beautiful fable,” juror Elle Fanning said, “Though it deals with these issues, it also felt personal and vulnerable, very emotional and just quite precious.” The 21-year-old actress — “a millennial surrounded by old people,” quipped Iñárritu — described her Cannes experience as one that has made her “view cinema differently, and for the good.”. Explaining the group’s collective enthusiasm for “Parasite” at the post-ceremony press conference, Iñárritu said, “We all shared the mystery of the unexpected way this film took us through different genres and spoke in a funny, humorous, tender way — with no judgment — of something so relevant and urgent, so global in such a local film, with such a beautiful efficiency of media, and an understanding of what film really is. She makes people think it’s going to be a thriller or a sci-fi [movie] and then turns it around. The cinema has to speak by itself. French writer-director Céline Sciamma earned the screenplay award for “Portrait of a Lady on Fire,” a lesbian-themed period film that explores the notion of the female gaze, both now and throughout the tradition of Western art. Life was reflecting the experience of filming it because the script is deliberately confusing, and every day we were trying to interpret it. So far, we've seen Bella Hadid in sheer Dior, Priyanka Chopra in sequined Roberto Cavalli, Penelope Cruz in Chanel couture and Deepika Padukone in statement-making Dundas, among other incredible moments. She knows exactly what she wants, and everything from the timing, the camera and every tiny line, intention and second of eye contact. ... Jun 6, 2019 8:53am PT. Alice is experiencing that and is down this rabbit hole and constantly questioning herself and not wanting to trust her instincts. Bong Joon-ho’s ‘Parasite’ Wins the Palme d’Or at Cannes ... Best actress went to British rising star Emily Beecham for Jessica Hausner’s “Little Joe.” ... Cannes Film Festival 2019. Antonio Banderas and Emily Beecham won acting prizes, while Quentin Tarantino went home empty-handed at the 72nd Cannes Film Festival. Cannes favorites Jean-Pierre and Luc Dardenne — who have won the Palme d’Or twice before, as well as two other awards — took the best director prize for “Young Ahmed,” the portrait of a Muslim teenager living in modern Belgium who attempts to kill his teacher after being brainwashed by a radical imam.
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