Un jour, elle rencontre Il Matto, un fildefériste qui l'écoute et lui parle. Both Gelsomina and Zampano experience a journey both physically and emotionally during the course of the film.
Mais dépassant bientôt sa stupéfaction, l’acrobate (plus si « fou » que cela) expose finalement une réflexion sur le sens même de l’existence, trouvant sa source dans l’extraordinaire visage. Alessandro Leiduan, La notion de « spectacle » dans le cinéma de Fellini : enjeux esthétiques d’une cinématographie anti-fictionnelle, Cahiers de narratologie, n°22, 2012. Relevant lui aussi de ces œuvres traitant de la question spectaculaire, La Strada se place pour sa part sous le signe des arts forains. This Study Guide consists of approximately 19 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of La Strada. Tirant alors vers un surréalisme discret, La Strada quitte le registre de la chronique documentaire pour s’engager dans celui du conte métaphorique. This Study Guide consists of approximately 19 pages of chapter summaries, quotes, character analysis, themes, and more - But from the moment of its release in 1954, it was clear that La strada had everything. It revived the acting fortunes of its American star Anthony Quinn, and made his co-star, Giulietta Masina, a world-wide sensation. S’inscrivant dans la veine néoréaliste de Fellini, La Strada embrasse d’abord son petit peuple de saltimbanques en un geste documentaire. Zampano also changes as they continue on their journey. In Italy it catapulted its director, Federico Fellini, to the front ranks of that country’s greatest filmmaking talents. Federico Fellini. The Fool (Richard Basehart) helps Gelsomina come to grips with this fact, and her place in the world as well. Ce que semble encore révéler La Strada, cette fois-ci au travers du désastreux personnage de Zampanò. La Strada Film Summary & Analysis. Celui-ci survit en brisant des chaînes et en crachant du feu pour distraire les gens. Une manière pour Fellini de remonter aux sources même du septième art qui, avant d’acquérir ses lettres de noblesse esthétiques, émergea dans le tumulte des foires itinérantes, aux côtés des chapiteaux colorés du cirque. Pays : It is Quinn's performance that holds up best, because it is the simplest. (2) Geste que Fellini reprendra et prolongera deux décennies plus tard en réalisant en 1970 Les Clowns, un film cette fois-ci entièrement documentaire quant à la question circassienne. In almost all of Fellini's films, you will find the figure of a man caught between earth and sky. Votre abonnement CANAL vous permet de bénéficier des contenus Télérama réservés aux abonnés. Giulietta Masina, Anthony Quinn, Richard Basehart, First published: Wed, May 17, 2017, 10:30. I don't see it that way.
A catalyst in other characters’ lives, he gives Gelsomina hope. You will also find the waifs and virgins and good wives, contrasted with prostitutes and temptresses (Fellini in his childhood encountered a vast, buxom woman who lived in a shack at the beach, and made her a character again and again). Le traitement des espaces dans La Strada joue un rôle certainement essentiel dans cette souterraine imprégnation fantastique du quotidien forain, annonçant ainsi les « hors- lieux » oniriques de La Dolce vita (1960) ou de Juliette des esprits (1965). Gelsomina is the epitome of innocence. And, there is no question that it will continue to do so for years to come. Synopsis. 2 pages at 300 words per page) In the words of a film about him, "Ciao, Federico.".
The character should never be aware of the effect she has, but we sometimes feel Gelsomina's innocence is calculated. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Like a painter with a few favorite themes, Fellini would rework these images until the end of his life. A brutish strongman named Zampano (Anthony Quinn) tours Italy, living in a ramshackle caravan pulled by a motorcycle.
Fellini trouva aussi matière à films dans le spectacle musical - Prova d’orchestra (1978) -, dans celui du petit écran - Ginger et Fred (1986) - et, bien sûr, dans le cinéma lui-même avec Huit et demi (1963) et Intervista (1987). Federico Fellini began his career working with a traveling theater troupe before becoming (in succession) a radio gag writer, a cartoonist, a scriptwriter and assistant for such established Italian talents as Roberto Rossellini and Pietro Germi. Nino Rota, Maquillage : Like a painter with a few favorite themes, Fellini would rework … After their first night together, she wakes up in tears, then wipes them away, repeatedly. Federico Fellini, Avec : But neither the actress nor her director press the point. Il était une fois en Italie, une jeune femme pauvre et naïve répondant au nom de Gelsomina (Giuletta Masina).
(1) À ce propos, Cf. Zampano is not much more intelligent than Gelsomina. “I even teach dogs,” says Zampanò, when he first acquires her. La strada consequently came as a surprise. Their rivalry does not end well. Gelsomina travels from her family home on a quiet beach to follow Zampano into a sporadic and unstable life. Une métamorphose dont participe encore l’incarnation de Gelsomina par Giuletta Masina. Ici, on aime l'esprit critique. Ponti-De Laurentiis Cinematografica, Recommandé parJean-Pierre Dardenne, James Gray, Robert Guédiguian, Aki Kaurismäki, Lynne Ramsay, Jerry Schatzberg, Jaco Van Dormael, Akira Kurosawa. La strada never presses any point. Eligio Trani, Dante Trani, Création des décors : Ce dernier ayant alors agi à la manière même du cinéma lorsqu’il parvient à solliciter aussi bien l’œil que l’esprit de ses spectateurs. everything you need to sharpen your knowledge of La Strada. This also reminds me of the saying that "all roads lead to Rome" (especially since it's an Italian film.) The film intends us to take him as a free and cheerful spirit (the embodiment of Mind, Pauline Kael tells us, with Zampano as Body and Gelsomina as Soul). But far more important than these particulars of first rank success was the simple fact that this uniquely bittersweet comedy-drama touched people’s hearts in a way few films have managed to do.
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