|, February 4, 2020
Swoon, ye 21st-century philistines, before the cataract of existential glamour that is Antonioni's Il deserto rosso. IMDb By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Red Desert (Il Deserto Rosso) once more combines the considerable talents of director Michelangelo Antonioni and star Monica Vitti. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. Worth a watch but dont expect to be blown away. They call it a complex, I call it a cemetery. Existential Burden of a Modern Human. Ugo's old pal, Corrado (Richard Harris), shows up in town on a business trip and is more sensitive to Giuliana's anxieties. |, July 27, 2012 It is smoky, dirty…, Antonioni’s first color film is ironically the one I found less appealing visually. Still well framed and well acted but ultimately less fulfilling. I live in a remote area because of my job. A modernist world crumbling before our eyes, overcome with gray. The look is great. Blu-ray, DVD, Audio commentary by Italian film scholar David Forgacs; Archival interviews with director Michelangelo Antonioni and actress Monica Vitti; Two short documentaries by Antonioni: gente del po, about a barge trip down the Po river, and nu about urban street cleaners; Dailies from the original production; Theatrical trailer; Plus: a booklet featuring an essay by film writer Mark Le Fanu, a reprinted interview with Antonioni conducted Jean-Luc Godard, and writings by Antonioni on gente del po and nu. Just leave us a message here and we will work on getting you verified. | Rating: 5/5 Monica Vitti Richard Harris Carlo Chionetti Xenia Valderi Rita Renoir Lili Rheims Aldo Grotti, El desierto rojo, Le désert rouge, The Red Desert, 붉은 사막, O Deserto Vermelho, 117 mins A film thats puzzling at times, getting into the mindset of a wife who is not a well woman mentally here, the interesting part about the film is the bleak setting, nset in Italy in a harsh industrial enviroment thiis is the world she lives a wiufe of a industrial manager. | Rotten (1). Posted on July 20, 2020 July 20, 2020 by Mariam Razmadze. You're almost there! What distinguishes the film from the trilogy (L’Avventura, La Notte, and L’Eclisse) that precedes it however is more than the colorized visual. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Giuliana, Corrado, and Ugo traverse the kinds of "nonplaces" that exist at the peripheries of so many modern cities. Grow Your Child's Library with Top Young Reader Series, 50% Off All Funko Wetmore Forest POP!, Plush, and More, Knock Knock Gifts, Books & Office Supplies, Buy One, Get One 50% Off Holiday Boxed Cards, Learn how to enable JavaScript on your browser. Industrial acceleration and the non-place as an exterior "positive" to the interior "negative" of the bottomless existential anxiety of modernity. Get the freshest reviews, news, and more delivered right to your inbox!
This flawed masterpiece is a political film, anger seething beneath the seductively beautiful surface, and a contrast to the surrounding devastation is provided by a simple fable told to a small boy by his mother. You feel a sense of despair that the environment and it's star, Giuliana, portray. |, July 30, 2012 One of her husband’s business partners, played (curiously, his lines all over-dubbed) by Richard Harris, is enthralled by her, as she struggles to find a place in the world’s present reality. Red Desert is Antonioni's clearest, most striking statement of purpose - and one of cinema's great films. Every time I go into my room I feel the emptiness she feels. Do you love all types of movies?
Francoriz Production, For the images, color, and the sound alone, Michelangelo Antonioni's The Red Desert is worth it. Javascript is not enabled in your browser. What a mysterious film it is, with much to perplex and even exasperate, but much to fascinate as well. Overall, a provocative visual exercise & an interesting look at industrial Italy.
Sin embargo, el último tramo de la película logra el perfecto balance entre estética, narración, acción y ritmo, culminando en un muy chido final.
It takes a while sometimes, but you're always glad when it hits. We want to hear what you have to say but need to verify your account. And yet, Antonioni wrote and directed a tender story about a woman and her post-traumatic disconnect from reality with such grace and tenderness that would be exceptional even today. |, May 21, 2020 While my use of the term "horror" may raise a brow or two, for Giuliana, this new world is a genuine source of terror. For when you want to wallow in despair. In fact, Giuliana doesn't even feel at ease inside her own home. Ghostly sounds recorded from deep below the Earths surface materialize from nowhere throughout, the audience never…, www.youtube.com/watch?v=NdslofLdcjk&t=145s, The most haunting film I've ever seen makes me feel physically ill. Monica Vitti smolders.
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Antonioni's first color film is the most beautiful and the most static he has made. An easy way of seeing how…, Darren Carver-Balsiger 851 films 17,677 1279 Edit. Vitti terrifies me.
A film that acts outside our existence, transcending some unseen realm that fits between the spaces. Films that demand and reward your patience, relying more…, Jens Åge Jakobsen 5,162 films 1,312 15 Edit, Does it take you an hour to pick a movie? Perhaps it is the transition to colour, neatly linked to the protagonist’s mental states, that makes this film about the suffocation of modernity work so well. Antonioni exacerbates this fear with his camera, giving her very little room to breathe and in some instances, even backing her into corners. Yeah. Regal
The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible. The goal probably wasn’t to fascinate the viewers with smokes, mist and pollution, but I still missed the b/w cinematography and the landscapes. Uh-oh, it looks like your Internet Explorer is out of date. Burning down the house. All rights reserved. For a better shopping experience, please upgrade now. Antonioni frames scenes in which it appears that giant cargo ships are sailing right toward Giuliana, threatening to take her out in the march toward progress. All Giuliana (Monica Vitti) can think about is buying a half eaten sandwich for twenty smackeroos, dressed in a vibrant green overcoat in the middle of the drab and dreary sludge that absorbs the rest of the frame and the lives of its disinterested and drained strikers. Afterthoughts: Funnily enough, it's not far off 12 months since I first saw Il Deserto Rosso, and I can honestly say the film has barely left my thoughts since. This…. For people who want to get into slower films. The percentage of Approved Tomatometer Critics who have given this movie a positive review. can’t believe dumbledore can’t speak Italian, juliodogpit 1,001 films 10,307 452 Edit, UPDATE--------------------------------------------------------------------------, Check out also: The 100 Greatest Documentaries, ranked as objectively as possible The 100 Greatest Directors The 100 Greatest…, Essential movies for lonely people out there (like me) if you want to feel something in this big big world.…, Peter Stanley 1,235 films 40,000 1282 Edit, All the films from all the editions, including those subsequently removed, presently totalling 1235. |, August 13, 2019 By showing us exactly what modernity looks like and how it feels to be a part of it, a characteristic of it. Film Duemila,
Antonioni breaks down opaque connections to their limits, finding truth in little details (a lack of subtitles makes an emotional cross-road akin to an unheard cry for help) and a festering alien score which rises as the fog seems to overtake the bodies swimming through it. By creating an account, you agree to the Privacy Policy
I truly did appreciate this film, but it felt more like an experience. She was overacting at times here.I also found it to be too similar to The Eclipse for its own good. Antonioni impresses us with his stunning use of color (as well as his mise-en-scène, and in his first film in color, no less) to create meaning and visually emphasize what he wants to say in this intelligent and absurdly sharp study about depression and existential emptiness. Red Desert is a film of these distinct yet familiar emotions - it's Antonioni doing Tarr, the weathered face of humanity against a nondescript background, the innocents shown against a backdrop of industry. The percentage of users who rated this 3.5 stars or higher. A woman whose husband is a powerful industrialist in the new Italian economy struggles with alienation and depression, perhaps reflective of the decimated natural environment that the industrialists have created. One void of all the romanticism associated with places like Venice. Learn how to enable JavaScript on your browser, Criterion Collection: Red Desert available in Just confirm how you got your ticket. An area that has nothing except for a huge factory and some small rooms for the employees. The small bed right beside the small couch and near the dirty window there is a four-legged green chair but one of the legs is broken so I don't use it anymore and that's why he seems lonely. Modern life and sprawling landscapes are the two main objects that would describe the entire artistrty of Antonioni’s 1960-1964 oeuvre but of all the films released during the period, “Red Desert” is arguably the most emblematic of the marriage between those aforementioned objects.
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