Gremlins (1984) There will be several more signifiers indicating the movie’s quintessential 1983-ness, including the DeLorean-style sports car driven by Dr. Barry Nyle (Michael Rogers), Elena’s taciturn, eerily pallid doctor and the film’s eventual villain, and a TV clip of the speech that President Reagan gave that March to promote his “Star Wars” missile defense plan. One of the most respected publications on film, uniting experienced critics with new writers. But whatever happens at the Institute now, it’s most definitely not benign, and probably hasn’t been since the events we eventually witness in a magnificently weird and violent flashback. Gremlins 2: The New Batch (1990) It deserves the time it takes to watch it. We work hard to protect your security and privacy. He has written features and TV shows with Harlan Ellison, Walter Hill, Slash, Willie Nelson, and Mick Jagger. The Purge (2013) Many years later, he wrote and directed the no-budget horror film, INFESTED, a brutal assault on The Big Chill, with zombies. Ulysses (1954) Diary & Dialogue. On the surface, Mandy is a very straightforward story. Not for the casual view. Suffice to say, a plot synopsis really doesn’t do it justice. It's one of the most visually stunning horror movies ever made, and Cage's unhinged performance proves his capabilities as a serious actor. Really trippy, great effect & visuals. The complicated politics of Charlton Heston BEYOND SANITY. Reviewed in the United Kingdom on February 20, 2014. Brazil (1985) But it also took zombies seriously, portraying them less as goofy voodoo creations and more as unstoppable walking corpses intent on disemboweling their victims. Blade Runner (1982) Radioland Murders (1994) [3], Cosmatos was born in Italy to Greek filmmaker George P. Cosmatos and Swedish sculptor Birgitta Ljungberg-Cosmatos. BlacKkKlansman (2018) Cinema Scope Mag for film reviews, criticism news & comments. There's a pot of gold Beyond the Black Rainbow. Please try again. Yet even among the fanboys, it has proven to be a genuinely enigmatic work, one that references a whole history of fantastic cinema yet remains its own sombre and stubbornly perverse entity. Essentially, Beyond the Black Rainbow wants to be more than set in 1983: it wants to somehow be made in 1983, too. BEYOND SANITY. A facsimile it may be, but this is one with a surprisingly mythic scope, the battle of wills between the increasingly deranged Dr. Nyle and his desperate (but not defenseless) young patient finally culminating in a whacked-out climax that manages to be gruesome, absurd, surprising, and—in a final image that bridges the world of the film with another iconic ’80s movie universe, the Spielbergian suburbia of E.T (1982) and Gremlins (1984)—astonishing. Minority Report (2002) Panos Cosmatos, the writer/director of Mandy joins us to talk about his favorite futuristic fascist police state movies, and changes the way we think about strawberries. I did not know what to expect watching this. Starship Troopers (1997) The writer/director of Mandy joins us to talk about his favorite futuristic fascist police state movies, and changes the way we think about strawberries. Chuck in Johann Johannsen, though- and I’m in. Z.P.G. And even if they can’t, they look absolutely gorgeous and help drive the story, especially in multiple long takes where we’re left to really think about what we’re watching for long periods of time. More →, There’s a point in nearly every Nicolás Pereda film when the narrative is either reoriented or upended in some way. The ten-part audio drama BRONZEVILLE which he wrote, starring Laurence Fishburne, Larenz Tate, Tracee Ellis Ross, Omari Harwicke and Tika Sumpter was a popular and critical hit, and is currently being developed for TV. Like Mandy, Revenge concerns a young woman who unleashes violence on those who wronged her. Josh Olson was the only student in his second grade class to see The House That Dripped Blood. Set in the strange and oppressive emotional landscape of the year 1983, Beyond the Black Rainbow is a Reaganera fever dream inspired by hazy childhood memories of midnight movies … I remember the trailer from years ago and thought it looked interesting. This is a revenge story, after all, and as the film moves along with its patient, consistent pace, eventually Cage does get to murder people in some very memorable ways: using an incredible custom ax, engaging in a chainsaw fight (that’s two people, with chainsaws, fighting), and ensuring several other gloriously bloody exits. The cool architecture of old-school Century City, a location for Die Hard, Lethal Weapon 2 and Harley Davidson and the Marlboro Man He kept losing to Larry McMurtry and Diana Ossana, but that’s okay. Mandy (2018) cast and crew credits, including actors, actresses, directors, writers and more. Enemy of the State (1998) The direction and cinematography are accomplished, and the screenplay adds some welcome depth and feminist themes to the proceedings. What makes Halloween work above its contemporaries is its grounded realism. Others are quite possibly more aware of her later work in documentary, in particular her commitment to a radical form of experimental ethnographic cinema. Regardless, many are worth watching, and many are worth checking out for the Halloween season. Panos Cosmatos has only directed two films in the last eight years, but both have made quite an impact. Serving mainly as a blend of straightforward horror and homage to sleazy grindhouse flicks of the '70s, Mandy stars Nicolas Cage as a man who becomes hell-bent on revenge after a violent and personal tragedy. She has a calm, innocent, almost ethereal presence that makes you feel like she’s better than all of us, knows it, but sympathizes with us. The fact that it's Canadian should be a source of immense pride for any independent movie loving Canuck. Sorry To Bother You (2018) Children of Men (2006) I loved the 80's sci-fi style they used for the sets. Yet it’s too bad Cosmatos didn’t save a corner of the floor in one of his sets for another of the era’s emblems of futurity: a video-game console and the surrounding tangle of black cords and joysticks. And while Shudder contains many intriguing originals you won't find anywhere else, the service is primarily known for its extensive library of third party movies. The writer/director of Mandy joins us to talk about his favorite futuristic fascist police state movies, and changes the way we think about strawberries. Set in the strange and oppressive emotional landscape of the year 1983, Beyond the Black Rainbow is a Reaganera fever dream inspired by hazy childhood memories of midnight movies and Saturday morning cartoons. He and John Brancato (THE GAME) recently wrote and sold the feature spec TRIGGER WARNING, which is being produced by Thunder Road. He went on to write the screenplay for A HISTORY OF VIOLENCE and was nominated for the WGA, BAFTA and Academy Awards for Best Screenplay. Of course, the very concept of corpses rising back to life is positively nightmarish, and it lent the movie an unimaginably horrifying atmosphere. Beyond The Black Rainbow (2010) It's a topical movie concerning the COVID pandemic, quarantine, and the resulting fears of social alienation. Instead, it’s surprising how sumptuous it looks and how vivid it all feels. Later, light orange, purple, and green show through, and there’s just a sense that, upon multiple viewings, many deeper meanings can be read into the specific choices of the colors in each scene. Does it help? Users can find many fantastic horror movies on Shudder. (The fact that Cosmatos’ movie contains so few explicit quotations of existing works may have something to do with his principal inspiration for Beyond the Black Rainbow, which he claims were the movies he imagined based on the artwork on video boxes he perused as a dreamy and impressionable youth. In due course, it has built the kind of cult rep that Cosmatos—the Vancouver-bred director of videos for the Handsome Furs and Black Mountain, and the son of Rambo: First Blood Part II (1985) and Cobra (1986) director George P. Cosmatos—clearly sought from the outset. Of course, it helps that the movie earned an American remake that grossed $250 million at the worldwide box office. I was intrigued by Panos Cosmatos, because while I appreciate the visual aesthetic of Beyond the Black Rainbow, I couldn’t shrug off the “pretentious twaddle” aspects of it.
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