B-SIDE STAMPER CODE: ^70751 - X (Apr., 1968) Betty Anne (P.D. 5. The Bards. 16 The Northwest Part - 3, Side One, Track #7 Archive International Productions AIP - 10024), 4.) Love Of A Mother (F. Hurley) B-SIDE COMPOSER: [none listed] SPEED: 33 1/3 eon Feb., 1967) 6 Sadaba! Apr., 1967) A-SIDE PUBLISHER: Peer International (BMI), B-SIDE MATRIX: Pic - 30 (wax); 45 - PIC - 30 (label) B-SIDE COMPOSER:Danny O'Keefe 6. Cloudy Day (T. Sparks - M. Waters), Side A 1.) 3. Black block numerals and lettering. My Oklahoma Morning (Birdie Dykes) Promotional A - A disc only. Cet élément a bien été ajouté / retiré de vos favoris. Pour fêter en fanfare les 100 ans de sa naissance, Qobuz vous propose une partition biographique. White background. 4. RECORDING ENGINEER: FORMAT: disc Hang On Sloopy B-SIDE STAMPER CODE: ^67599 - X (ca. December, 1966) See instead Dilley Enterprises #DE 1969. B-SIDE STAMPER CODE: ^63018 - X (Aug. - Sept. 1966) DISC NOTES: MISC NOTES: Lp jacket title = Country Classics Volume III featuring Marvin Rainwater, MISC NOTES: Folk Baroque Arranged And Conducted By Mason Williams. 5.Tall Cool One (Dangel - Morrill - Greek), Side Two 3. https://www.youtube.com/watch?v=thHAy4jmtdU, [HEAR IT HERE] "Lost Love" B-SIDE STAMPER CODE: ^63018 (ca. B-SIDE PUBLISHER: Burdette Music Co. (BMI), A-SIDE MATRIX: JD - 219 (wax): 45 - PIC - JD - 219 (label) Cardboard picture sleeve with band member facial photos, [HEAR IT HERE] "Never Too Much......" Co. (BMI), B-SIDE MATRIX: PIC - 3 (wax); 45 - PIC - 3 (label) A-SIDE STAMPER CODE: ^65341 (ca. Feb., 1967) 6. FORMAT:disc Searchin' RECORDING PERSONNEL: BrIan Conrad [leader, percussion]; Tim Cooley [bass, guitar] ; Mike Tom Sparks [lead guitar]; Mike Waters[lead singer] Side one, Track #2 lp The Bards (Piccadilly #3419), 4) 1982. Je suis le responsable de cet établissement. 1. SIZE: 12" Sep./Oct., 1967) 38 Gun SPEED: 33 1/3 rpm RECORDING STUDIO: Honky Tonk (B. Doggett - S. Shepherd - H. Glover - B. Butler - C. Scott) A - A disc. https://www.youtube.com/watch?v=W3BwHW5Udfk&list=PLFEXQfXmaL9zahAg1IuOtFoxky1gtRFT_&index=3. C'est une institution à Manchester, avec l'une des plus belles collections de vinyles de la ville. Tennessee Stud (J. Driftwood), Side B 5. A-SIDE STAMPER CODE: ^6555 (ca. RECORDING ENGINEER: Bob Holden - Rick Keefer, A-SIDE MATRIX: Pic - 256 A (wax); 45 - 256 - A (label) B-SIDE COMPOSER:Lynn Easton 1. SPEED:45 rpm B-SIDE PUBLISHER: Mainstay Pub. 2. 2. 5. RECORDING ENGINEER: FORMAT: disc B-SIDE PUBLISHER: M. Witmark (ASCAP). 3. 4. Stagger Lee (H. Rogan - L. Price) Home to the town hall and many seasonal events. A-SIDE STAMPER CODE: ^68804 (Oct./Nov., 1967) DRONE . 2000. Snyder) B-SIDE PUBLISHER: Burdette Music Co. (BMI), A-SIDE MATRIX: PAN - 1116 (wax); 45 - PIC/PAB - 1116 (label) 4. See instead, Jerden 808. A-SIDE PUBLISHER: Custom Pub. 2. Paru le 28/04/2017 chez Sanctuary Records; Artiste principal : Vince Hill; Genre : Pop/Rock Pop 1.) RECORDING STUDIO: Gene Breeden Studios B-SIDE STAMPER CODE: ^68152 - X (Sep./Oct., 1967) Buckskin (R. Snyder) DISC NOTES: with/featuring Cheryl Bentyne, Album title on jacket back = The Banjo King Plays Ragtime, Side A B-SIDE STAMPER CODE: ^66619 - X (ca. NEO-CLASSICAL, DISCO . Piccadilly Records - 53 Oldham Street, M1 1JR Manchester, UK - Rated 4.7 based on 137 Reviews "Best Record shop in the UK in my humble opinion. Sister label to First American, Music Is Medicine labels (1980s). Annie Fannie (D. Fishe - A. Clyde), MISC NOTES: Big Band Series/Original Recording, Reissue of Jerden Records lp Dave Lewis Plays Herb Alpert & The Tijuana Brass (JRL 7006 / JRLS 7006), Side One En ouvrant votre compte professionnel, vous établissez un contact permanent avec le Petit Futé. 3. In 1990 the current management took over Piccadilly Records and continued to build upon its reputation as one of the world’s best independent record shops. FORMAT: disc B-SIDE COMPOSER:Gil Bateman DISC NOTES:*. Spanish Flea. A-SIDE PUBLISHER: (BMI), B-SIDE MATRIX: PAN - 1114 (wax); 45 - PIC - PAN - 1114 (label) 2002. Love Love Love RECORDING PERSONNEL: RECORDING ENGINEER: Tim Rock. En avance sur la technologie, sur la composition, sur les performances scéniques, les Allemands ont prouvé au grand public que les machines étaient aussi capables d’émotions et ouvert la voie pour la techno, la new wave et même le hip-hop.
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