Oates explains how Connie retrieves into the house only to be 'locked' or trapped inside. Don't fidget and certainly don't eke out a half-hearted, 'And that just about covers it. Often described as an allegory for a young girl’s initiation into womanhood, the loss of innocence, or an encounter with death or the devil, it may seem simplistic on the surface, but the conversation between Connie and Arnold Friend is layered with symbolism and a sense of dread, all building to a climax that will shake you to your core. I first read Joyce Carol Oates’ unsettling short story, Where Are You Going, Where Have You Been?, in college where we analyzed teenage protagonist, Connie’s, sexual awakening and the strange and foreboding encounter she has with a predatory man at her door named Arnold Friend. (Part of my vestron VHS collection.). Absentee Ballot vs. Mail-In Ballot: Is There A Difference? The short story builds the readers up through excitement and fear of the unknown during the confrontation, and leaves readers to wonder after the cliffhanger. It cuts to the core of your central message and is one of the most memorable takeaways for today's Twitter-sized attention spans. Film at Lincoln Center 58 films 205 8 Edit, The 58th New York Film Festival takes place from September 17 through October 11 with drive-in screenings throughout NYC and…. Yes, those are Academy Award winners George Clooney and Laura Dern. This slide is the only slide you use that can contain a lot of text, use bullet points to separate the text. The movie however, seems to fall short in this build up of emotion, and gives an ending which is resolute, and in some ways cliche. A warning typically met with a roll of teenage eyes, but Oates makes the nightmare a reality, mixing true terror with fiction to convey the all too real dangers of growing up female and the inevitable end of innocence. Some claim the numbers equaling 69 makes them representative of Friend’s sexual deviancy, while others believe they point to the Bible verse Judges 19:17, because of its connection to the story’s title: “When he looked and saw the traveler in the city square, the old man asked, ‘Where are you going? It’s seemingly “soap-opera” and melodramatic—that which I’m usually a fan of anyways—but there’s something genuinely bone-chilling here in what it’s saying about the intrusion of young, female sexuality. Once returned home, Connie’s naïve self centered take on life seems to have been left in the field Arnold molested her at. Studies show that when people are tasked with recalling information, they "best performance at the beginning and end". The âplantâ is a good way to get questions started if you fear silence. Facts with statistical numbers in them work well â you can easily search online for facts related to your speech topic. She reached a point of TMDb The short story builds the readers up through excitement and fear of the unknown during the confrontation, and leaves readers to wonder after the cliffhanger. "The book was better" is a phrase heard often in conversations about book-to-film adaptations. not sure how comfortable i feel with some of the implications at play, but i can’t deny the effectiveness of the fear that creeps its way in. âThank Youâ slides donât really help the audience. A good way to do this is for you to ask am open question to the audience. In Smooth Talk's case, the original ending may have been too poignant for regular movies to stomach. I was in the second year of my BA and tried to use reviews as practise, to develop runaway thoughts in my head into arguments. Chopra's adaptation of the story into the film Smooth Talk stays true to the theme of Connie's transition to adulthood, but introduces a new dimension to the character of Connie, and changes the ending which is left to the reader's own interpretation in the short story. 1985 For this to be effective, however, the quote needs to be one that has not been heard so often that it has become cliché. “I look at you, I look right into your eyes, and all I see are a bunch of trashy daydreams.” She and her friends can at least feel in control of their experiments at the mall, flirting with the boys they’ll never see again but running from the men who actually want something.
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