The Best Home Speakers for Room-Filling Sound, Steve Perry: ‘My Heart Bleeds Daily to Be in Front of People And to Sing for Them’, Tekashi 6ix9ine Transforms Into a ‘Supervillain’ in New Teaser for Showtime, ‘Rolling Stone’ Doc, How to Watch UFC 254 Online: Live Stream Khabib vs. Gaethje on ESPN+, Jay-Z Details New Cannabis Brand ‘Monogram’, ‘The Witches’ Review: A D.O.A. Le Festival international du film de Toronto 2019, 44e édition du festival (44th annual Toronto International Film Festival ou TIFF), se déroule du 5 au 15 septembre 2019. (The latter was actually the second runner-up, after Marriage Story, which ultimately walked away with best supporting actress.) Last time we talked, we both raved about Nomadland, which had just won the top prize at the Venice Film Festival and blew away most critics too. Jen Yamato is a film reporter for the Los Angeles Times. Where this year's Oscar race stands, Nomadland wins Toronto film festival people's choice award, Toronto film festival 2020 roundup – virtual yet vibrant, The Water Man review – David Oyelowo's charming directorial debut, True Mothers review: Naomi Kawase's heartfelt yet frustrating drama, The Truffle Hunters review – strange and charming ode to rare dogs, I Am Greta review – slick yet shallow Thunberg documentary, Concrete Cowboy review – Idris Elba saddles up for powerful father-son drama, Good Joe Bell review – Mark Wahlberg affects in moving homophobia drama, 76 Days review – haunting Covid-19 documentary leaves its mark, Summer of 85 review – François Ozon's sunny, sad gay teen romance, Another Round review – Mads Mikkelsen anchors boozy tragicomedy, I Care a Lot review – Rosamund Pike vamps and vapes in delicious thriller, Penguin Bloom review – Naomi Watts saved by a magpie in charming drama, Ammonite review – Kate Winslet and Saoirse Ronan find love among the fossils, Nomadland review – Frances McDormand delivers the performance of her career, David Byrne's American Utopia review – Spike Lee's thrilling treat for fans, Monday review – hedonistic romance drama is a party worth avoiding, Limbo review – heart-rending portrait of refugees stranded in Scotland, Kate Winslet and Mark Wahlberg aim for Oscars at unusual Toronto film festival. Il est devenu depuis un partenaire important d'Hollywood. Or should we just go ahead and have the Oscars now, give everything to Nomadland, and get back to focusing on, you know, some bigger problems? The flame of attraction that ignites between them burns slow and hot. It ends Saturday. — Mark Olsen, Those who oppose #BlackLivesMatter and other anti-racist protest movements are often fond of using Dr. Martin Luther King Jr. as a rhetorical cudgel, perpetuating the myth that he was universally beloved in his day for his commitment to nonviolent resistance. I’m infinitely curious about Azazel Jacobs’s French Exit, a NYFF premiere starring Michelle Pfeiffer, Lucas Hedges, and Pulitzer Prize–winning playwright and actor Tracy Letts as a talking cat, but again that seems like more of an autumn curio comedy than anything else. It’s not exactly a traditional crowd-pleaser, but a lot of TIFF People’s Choice winners aren’t—this is the crowd that picked Three Billboards Outside Ebbing, Missouri and 12 Years a Slave, after all. We’ll be seeing you next year, Naomi. So, like we said a week ago, Nomadland is a big deal. We went lighter on coverage for the festival’s slimmed down 2020 edition, but were pleased to discover there were still great films to see — this time from the comfort and safety of our own homes. In the midst of the COVID-19 global pandemic, TIFF has gone largely virtual. The documentary “76 Days” was filmed in Wuhan, China, during the early days of the COVID-19 outbreak. And I also enjoyed The Water Man, a family adventure movie that David Oyelowo directed and stars in. Katey Rich: So Richard, the entire concept of handing out a People’s Choice Award at this year’s Toronto Film Festival seemed a little hard to fathom. But her latest, “Nomadland,” feels like an intimate, empathetic excavation of modern-day America and its crumbling social structures. He is the author of the book “FilmCraft: Editing” and serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Assn. Like, say, best documentary, where the fascinating, infuriating MLK/FBI—about the U.S. government’s long-standing, pervasive practice of threatening and undermining the civil rights struggle—could be a strong contender? (And that supporting-actress Oscar in between.). Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema. Sam Pollard’s troubling, beautifully assembled archival documentary (which was acquired during the festival by IFC Films) offers a vital rebuke to this line of non-thinking: It reminds us just how far the J. Edgar Hoover-led FBI was willing to go to shame a civil rights icon and discredit his great work, a work that has never ceased and never will. Fair enough. Better to light a candle than curse the darkness, they say, so we’re looking ahead to what’s unfurling in the upcoming week-plus and highlighting 20 of TIFF 2020’s entries that we have our eyes on. In the timeline originally scheduled for 2020, press from far and wide would be descending into the Great White North right about now, ready to consume massive amounts of poutine and dig into a lot of awards-season potentials, work from a who’s who of world-cinema auteurs and any number of unknown pleasures projected onto big screens. Ce festival est considéré comme l'un des plus importants festivals de films au monde et l'un des premiers en Amérique du Nord. Le festival commence le jeudi après la fête du Travail (Labour Day, le premier lundi du mois de septembre, à ne pas confondre avec la fête des travailleurs le premier mai ou International Workers' Day en anglais) et dure 11 jours. There are so few live-action movies for children these days, and this one definitely has throwback Race to Witch Mountain vibes, plus some pretty strong child performances from Amiah Miller and Lonnie Chavis. The Amazon release vividly imagines what happened when Cassius Clay (soon to become Muhammad Ali), Jim Brown, Sam Cooke and Malcolm X spent a night in 1964 hanging out in and around a Miami hotel room. But it’s a great sign that audiences are seeing in Nomadland what we did, a clear-eyed but ultimately optimistic view of a under-examined slice of American life, anchored by a tremendous—and refreshingly understated—performance from McDormand. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. ne sont pas décernées par un jury professionnel ou non.
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