there’s a scene in this film where one character sits alone in a room and attempts to make out with a watermelon. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. That was Generation X, the last generation to exist before capitalist realism took off (from the 1980s and onwards). Ah-jung tells Mei-mei that he works "in imports and exports," which seems like stretching things for an unlicensed street peddler who has to hide from the police. this is more to the meaning than just a word to word translation, For another site operated by ProZ.com for finding translators and getting found, go to, General / Conversation / Greetings / Letters. Lời Anh và Việt: Tôn Thất Lan. É preciso de uma paciência budista para apreciar a forma e o conteúdo do Tsai, mas acaba valendo a pena. You can see the tears welling up in his eyes. no, it's actress yang kuei-mei playing basically me, a person who suffers from bigtime alienation and cries in parks. For when Hsiao-kang eventually meets Ah-jung, he falls secretly in love with him. Tsai Ming-Liang affirms his artistry through long takes and little dialogue, making Vive L'Amour…. Portrayal of alienation at its best!The finest ending for a cinema. Therefore, the right translation might be to leave it in French. But Yang Kuei-mei is no Jeanne Moreau or Monica Vitti. There are clues so to speak. You want to take that key, if only you have a life of love. And when the movie takes a digressive tour of an enormous mortuary, the metaphor seems pushy. WITH: Yang Kuei-mei (Mei-mei), Chen Chao-jung (Ah-jung) and Lee Kang-sheng (Hsiao-kang), See the article in its original context from. Therefore, the right translation might be to leave it in French. I would add that, in general, one wouldn't translate this phrase. devastating void of feeling collectively horny and alone. Observations on close doors, escaping someone without obtrusions. ”. 4 KudoZ points were awarded for this answer, I dunno does not seem quite right, u should supply context migth change things, but the litteral translation is long live love. TimesMachine is an exclusive benefit for home delivery and digital subscribers. When Mei-mei is not tidying up the apartment and communicating by cellular phone with her employer, she, too, uses the place, for trysts with Ah-jung (Chen Chao-jung), a man she picks up in a luncheonette for casual sex. Made by fans in Auckland, New Zealand. Fail to do so is punishable by watching “Vive L’Amour” 24/7 in a loop clockwork orange style. You seemed lonely too so I figured we could be lonely…. The end of the film aspires to a grand, Antonioni-like gesture with an extended tracking shot of the unhappy Mei-mei walking through a desolate urban park. Hsiao-kang (Lee Kang-sheng), a shy young man who is later revealed to be gay, finds the keys and begins living there surreptitiously. Fulfilling, Orgasmic. And so here is Taipei in the 1990s: a capitalist global hub with its symbols of Budweiser, 7-Eleven, Coca-Cola, etc. As in those early-60's masterpieces, the gleaming anonymous architecture and thoroughfares of a booming metropolis (here it is contemporary Taipei) frame the blank spiritual lives of characters who drift through the city in a state of melancholy disconnection. (Up). The movie is about a sad reality that cannot be relied on by people in a society where people live. It feels garish to put this into words. what feels so different about tsai ming-liang’s films is the absence of a viewer. "je ne sais quoi," etc. gabriel guimarães? Mood > Narrative. It’s an LGBTQ+ world and these are my other LGBTQ+ lists on Letterboxd: ➡️Minor Interest Films: In the Closet: A…. Pain in the gut. We have scenes that character trying to break out of their own dilemma, only to be dissuaded by their misgivings. Film data from TMDb. Mei-mei (Yang Kuei-mei), a chic young real estate agent, misplaces the keys to a vacant duplex apartment in a spanking new high-rise. [rubs eyes] is that me? I’m tired of being alone. I feel more lonely when I’m with people. Pulse in the heart. in most films, even when we’re alone with a character, there is still this sense of observing, of a delicate performance being watched. "je ne sais quoi," etc. We watch on as one character hugs & kisses a watermelon, yearning for a life-long companion, or as another sits on a park bench reflecting on their seemingly idle life. My parents mistakenly left off an e at the end of my name...so it is assumed I am male...but VERY much I am female! Lee Kang-Sheng Yang Kuei-Mei Chen Chao-jung Lu Yi-Ching, Tsai Ming-liang Yi-chun Tsai Pi-ying Yang, Leve de liefde, Да живее любовта, àiqíng wàn suì, Ζήτω ο έρωτας, Éljen a szerelem!, 愛情萬歳, 애정만세, Viva o Amor, Да здравствует любовь, Länge leve kärleken!, Ai cing wan suei, 118 mins I watch people eating at restaurants. Privacy - Print page. Thank you for helping me!! I am René. Wikipedia English - The Free Encyclopedia Vive L'Amour is a 1994 Taiwanese New Wave film by Tsai Ming-liang. “Is it because you don't have a place to stay? Whatever you think this film is, you’re mistaken. Blending allusions to "L'Avventura," "La Notte," and "The Passenger," the scene ends with a prolonged, highly emotional closeup of Mei-mei. IMDb Request of translation of Vive l'amour song from French to English I wander through the streets, trying to get used to a new environment. Running time: 118 minutes. his masturbatory echo of their physical connection above him recalls the opening scene in which he stares into his own reflection in a convenience store mirror. You will also have access to many other tools and opportunities designed for those who have language-related jobs Maybe René is not an "educated English speaker". We’re simply observing these three outcasts whom live similar lives, yet are unwilling to reach out and fill those missing pieces for one another. 1994 ‘愛情萬歲’ Every frame speaks to it (Lin in an empty, ragged building calling for someone to show up; Kang always under the bed, a layer beneath human interaction). Of course, we could write "Long live love, or as they say in French, vive l'amour.". I watch a group of friends stumble out of a bar, laughing and holding each other upright. Vive L'Amour is study on the fear of intimacy, loneliness and repressed sexuality. "Vive l'Amour," Tsai Ming-liang's haunting second feature, is a virtual homage to the Antonioni films "La Notte" and "Eclipse." One of the apartment's attractions is a whirlpool bath in which the characters luxuriously immerse themselves. everything is buried beneath the surface. they stop together and sleep, separated by the thin mattress. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. recommendations welcomed as always…, Essential movies for lonely people out there (like me) if you want to feel something in this big big world.…. or how they look at themselves in the mirror, or become almost limbless when they lie down on an empty bed. FILM FESTIVAL REVIEW: VIVE L'AMOUR; A New Apartment as Empty as Its Occupants. -> René wanted a translation; he wanted to know what it meant. giggles! Pain and pulse. Mei-mei, who seems crisp and tough throughout most of the film, is ultimately revealed to be seriously depressed. Thank you!!! Han pasado ya varios días y aún sigo pensando en la escena final de la película, que es para mí una de las más fuertes que hay en lo que conozco de la historia del cine. i find so much truth in the way his characters release themselves from that burden of existing around others. Attempts at connection, no matter how brief. A situation that would normally be played as a bedroom farce is treated instead as a portrait of erotic angst, with overtones of "No Exit." Films that aren’t traditionally comforting, enveloping the viewer in a cold albeit familiar embrace. 1,502 films 6,853 123 Edit. In Vive L’Amour, Tsai’s characters relish in the quiet, empty spaces of their apartments, longing for human connection and aimlessly watching the time pass in their mundane existence. just like Hsiao-kang, loneliness and masturbation are my best friends. Watch trailers, read customer and critic reviews, and buy Vive L'Amour directed by Ming Liang Tsai for $8.99. In crucial ways, all three characters are not what they seem. Bé Kim tập hát với Ông Ngoại bài Vive l'amour ( Long live love ) French Folk Tune - Lời Pháp: Bùi Thế Cẩn. Review native language verification applications submitted by your peers. -> et, comme disait De Gaule, Vive le Québec ... libre ... Agree with Erik also, like "je ne sais quoi" or "plus ça change...". TMDb but with his films he’s able to capture what it’s like to be completely alone. VIVE L'AMOUR Written (in Mandarin, with English subtitles) and directed by Tsai Ming-liang; director of photography, Liao Pen-jung; edited by Sung Shin-cheng; produced by … No sooner has Hsiao-kang finished his bath than he slashes his wrist in a half-hearted suicide attempt. Every action is inspired by it, including the best moment illustrating the rare beauty of the boredom of isolation and how it inspires something like genius (I refer of course to bowling with watermelon). Taipei. Is this the quintessential representation of Generation X disaffection and alienation brought to fiction film? At times, the symbolism becomes heavy-handed. Distraction,jeu,blague vinn enjoy nou Vive l'Amour: Bulgaria (Bulgarian title) Да живее любовта: Canada (English title) Vive L'Amour: France: Vive l'amour: Germany: Vive l'Amour - Es lebe die Liebe: Greece: Ζήτω ο έρωτας: Hungary: Éljen a szerelem! A place where they hide their innermost fears and desires. It feels like sneaking into someone's room and reading their diary. Somewhere in there, in the middle of the city there is a place, an empty place that serves as a refuge for three individuals. everyone in this film seems so lost, so sad, so disconnected from the world that they ironically become emblematic of universal feelings and moments we have as humans. The Taiwanese film, which has screenings this evening at 6 and on Saturday at 9 P.M. at the Museum of Modern Art as part of the New Directors/New Films series, has a wonderfully evocative central conceit. Also: MY POLISH WAITER, directed by Gary Terracino. "Vive l'amour" is an expression most educated English speakers would recognize and understand, cf. Only on the recesses of interest and deep patience can you really appreciate his work. LT → French, English, Comorian → Soprano → À la vie à l'amour → English. Gay loneliness babey!!!!!!!!!!!!!!!! this one is quiet but it hit so close to my heart... Um dos meus tsai ming liang preferidos. the way their silence almost invites you into their minds. You can request verification for native languages by completing a simple application that takes only a couple of minutes. For much of the film, the characters co-exist in the apartment without confronting one another. Reevaluated. what the? Login or register (free and only takes a few minutes) to participate in this question. A city that seems so inoffensive, but that just like any other metropolis, — in its rush and overpopulation — manages to eat people alive. If we assume speech to be a metaphor for connection, then we witness here an encapsulation of the spaces between connections. At the Roy and Niuta Titus Theater 1, the Museum of Modern Art, 11 West 53d Street, Manhattan, as part of the New Directors/New Films series of the Film Society of Lincoln Center and the Museum of Modern Art.
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